The Rights of Women shows clearly that feminism took a wrong turn. . .

The Rights of Women shows clearly that feminism took a wrong turn. . .
Though The Scream slightly preceded the surrealist movement of the 20th Century, Munch’s atheism, existentialism, and artwork captured the terror, fear, and anger inherent in a spiritually dead worldview order . . .
Ms. Eberstadt supports the feminist agenda of freedom of opportunity across the board, but she objects to what has become, quite literally, throwing the “baby out with the bath water” . . .
Is sex or gender a fundamental determinant shaping how we find happiness and flourish, or is it manufactured through culture determined by . . .